fellow
Dr Alexandrine Boudreault-Fournier

Alexandrine Boudreault-Fournier

2025-2026
Home institution
University of Victoria
Country of origin (home institution)
Canada
Discipline(s)
Anthropology and ethnology; Colonial and postcolonial history
Theme(s)
Democracy, Citizenship, Governance; Globalization; Inequalities, inclusion & Social Innovation; Migration; Performing arts; Post-colonialism; Regional Studies
Fellowship dates
Biography

Alexandrine Boudreault-Fournier is a professor of anthropology at the University of Victoria on Canada’s West Coast. She has conducted ethnographic fieldwork on media and infrastructure in Cuba since 2000. A multimodal anthropologist, she is interested in disseminating her research through film, sound clips, installations, and illustrated stories. Her most recent film, La Tumba Mambi (2023), won the Best Ethnomusicology Film Award from the Royal Anthropological Institute in 2024. She is an IASH-SSPS Research Fellow, January - May 2026.

Research Project
The Cuban Nation Under Pressure: Ethnographic Reflections

Cuba is currently undergoing a severe, multidimensional crisis affecting everyday life across food, sanitation, health, and energy. More than ever, Cubans are coping with conditions that, for many, have become unbearable: mosquito-borne illnesses, daily hours-long blackouts, severe shortages of cooking gas, lack of running water, and widespread food insecurity. Amid regional geopolitical shifts and growing uncertainty about Cuba’s future, the revolutionary government has recently declared a national state of war. At the same time, Cubans find themselves en la caliente –in the thick of it –actively fighting, struggling, inventing, creating, and adapting with what little they have, enduring conditions that persist day after day. Using the metaphor of the pressure cooker, this presentation explores the “valves” through which Cubans release and manage the pressures of daily life amid ongoing social and economic strain. Drawing on more than twenty-five years of ethnographic research in Eastern Cuba, the presentation examines multiple forms of pressure—blood, air, and sound—through a multimodal format that captures both enduring struggles and emerging challenges.

Research Interests:

Anthropology; film studies; Cuba