Netherlands
Asante Mtenje
Asante is an Iso Lomso Fellow at NIAS during 2023-2024.
Asante Lucy Mtenje is an Associate Professor in the Department of Literary Studies at University of Malawi where she teaches courses in African literature. She holds a PhD in English Studies from Stellenbosch University. Her research has been published as book chapter contributions and in academic journals such as Journal of Commonwealth Literature, African Studies Review, Hecate: International Journal of Women’s Liberation, Journal of the African Literature Association, Current Writing: Text and Reception in Southern Africa, Matatu Journal for African Culture and Society and Eastern African Literary and Cultural Studies. Her current research interests include gender and sexualities, Malawian life writing, Afro-diasporic literature, popular culture and Malawian oral literature. She is a receipt of a number of fellowships including the STIAS Iso Lomso Fellowship (2022-2025), JIAS Creative Writing Fellowship (2021), the Africa-Oxford (AfOx) Visiting Fellowship (2020) and the American Council of Learned Societies (ACLS)- African Humanities Program (AHP) postdoctoral fellowship (2017). She is also a published poet and short story writer. Her debut poetry collection, Forms of Slaughter and Other Poems, was published in 2024. She was also the project lead of the Copyright Society of Malawi funded project “Malawi Writing Better” which was implemented by the Department of Literary Studies at University of Malawi.
Literary scholar Asante Mtenje traces the political and the personal as expressed in Malawian popular arts, specifically in the use of a dress called the chitenje. This traditional wrap-around cloth is considered a respectable form of dress that upholds Malawi’s cultural values. Representations of the chitenje in Malawian popular arts, are used as a site for examining how questions of gender, sexuality, class, and national belonging are negotiated. Focusing on representations of chitenje in local newspaper cartoons and popular songs Mtenje proposes a novel and critical method of reading the chitenje as a social text.
Gender and sexuality studies; African diasporic literature; Malawian oral literature; popular arts and culture; dress studies