Netherlands
Michael Newton
Fields of interest
I am a cultural historian, film critic, literary critic, editor and essayist, with a strong interest in our engagement with representations of the state of nature and with ‘the fantastic’, whether in art or in life. I am the author of two books of cultural history, Savage Girls and Wild Boys: A History of Feral Children (Faber & Faber, 2002; Picador USA, 2004) and Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (Faber, 2012). On film, I have written Show People: A History of the Film Star (Reaktion, 2019) and three books for the British Film Institute’s Film Classics series, on Kind Hearts and Coronets (2003), Rosemary’s Baby (2020), and It’s A Wonderful Life (2023). I have edited Edmund Gosse’s Father and Son (2004), Victorian Fairy Tales (2015), and an anthology, Origins of Science Fiction (2022) for Oxford World’s Classics, and Joseph Conrad’s The Secret Agent (2007) and The Penguin Book of Ghost Stories: From Elizabeth Gaskell to Ambrose Bierce (2010) for Penguin Classics. With Evert Jan van Leeuwen, I have edited Haunted Europe (Routledge 2019), a book of critical essays on how Britain has imagined Europe as a Gothic space.
Research
I am presently writing a cultural history, Blithe Spirits and Demon Lovers: A History of Hauntings, Visitations and Other Encounters with the Supernatural World, both for Oxford University Press – and an essay on George MacDonald’s fairy romances for a book of essays on the body in Victorian fantasy literature.
Curriculum Vitae
I was both an undergraduate and postgraduate in the English Department at University College London. From 1994-95, I was a visiting research fellow at Harvard University. In 1996, I was awarded a PhD for The Child of Nature: The Feral Child and the State of Nature; my supervisor was Professor Philip Horne, and the examiners were Professors Roy Porter and Tony Tanner. In London, between 1992 and 2003, I taught on a part-time or temporary full-time basis in the English Departments at UCL and Roehampton University, in the Cultural Studies Department at Central Saint Martins College, and also taught the Junior Seminar for Princeton University’s Study Abroad Programme at UCL. In 2003-4, I was a visiting lecturer at the Department of English at Princeton University. From 2004-6, I was a freelance writer, based in Berlin. I have been teaching English literature and film at Leiden University since 2006. In the spring of 2023, I was a Fellow at the Netherlands Institute of Advanced Study in Amsterdam, where I worked on links between literary Bohemia and radical assassins in London from the 1870s to the 1910s.
In addition to my academic writing, I co-wrote and co-edited The Movie Book (Phaidon Press, 1999), was a theatre reviewer for What’s On Magazine, wrote interviews for Arts International, and have written reviews and articles for The Guardian, Times Literary Supplement, Times Higher Education Supplement, Poetry Review, The New Statesman, and London Review of Books. In 1992, I was awarded the Fabian Society’s Webb Essay Prize, and in 2010 I won the Royal Society of Literature’s V. S. Pritchett Short Story Prize.
This project investigates the British connections to a series of European and Imperial assassinations, examining migration, conspiracy, and the status of the political exile. Using interwoven case histories, it aims to explore how in the late nineteenth and early twentieth centuries, British bohemian radicals engaged with international Anarchism, Russian Nihilism, and Indian nationalism.
Radical Innocence weaves together four interconnected stories, each dealing with friendship, a love affair, political violence, and assassination. It follows the histories of four interlinked families, drawn together by networks of kinship and friendship – the Madox Browns, the Hueffers, the Rossettis, and two generations of the Garnett family – showing how individuals in these families each became romantically embroiled with émigré conspirators and assassins, and tracing their involvement – political, social, and erotic – with Anarchist and Nihilist revolution. It does so by unravelling their relations to Mathilde Blind, to Peter Kropotkin, the Prince of Anarchists, to Martial Bourdin, the French Anarchist who attempted to blow up the Greenwich Observatory, and to Stepniak, the Nihilist assassin of General Mezentsev. The book’s last section details Britain’s entanglement beyond continental Europe to the Empire beyond and a later generation’s link to violent Indian nationalism, through David Garnett’s connection to two heroes of the struggle for independence, Madhan Lal Dhingra and Vinayak Savarkar. In this way the project returns us to a London that is a cosmopolitan metropolis, a refuge for political exiles, and a domestic capital where international currents cross.
Political radicalism and transnational networks; Anarchism and revolutionary movements; Empire and anti-colonial violence