Netherlands
Sharon Rose
My research is on phonological typology and the documentation, description and analysis of African languages.
I work primarily on Kordofanian languages of Sudan, working with speaker teachers. I have also researched Semitic languages of Ethiopia and Eritrea and Kwa languages of Ghana.
My current research is investigating grammatical tone, inflection classes, and prosody in the Kordofanian Heiban languages, Rere and Tira, as well as musical pitch processing by speakers of African tone languages.
Research question: Why do speakers of certain tone languages show a musical pitch processing advantage compared to speakers of non-tone languages, but speakers of other tone languages do not?
Tone languages use pitch to convey meaning distinctions. Research shows that speaking an East Asian tone language such as Mandarin or Cantonese confers benefits in processing musical pitch. However, recent research on Akan, an African tone language, shows no such advantage (Creel, Obiri-Yeboah & Rose 2023).
Sharon Rose researches to what this difference can be attributed. One hypothesis is the nature of the tone system. East Asian tone languages have at least four tones with contours (tones that rise and fall in pitch), whereas languages like Akan have two tones (high and low) with no contours. A second hypothesis is the nature of the musical stimuli used in experiments, which may not reflect the musical traditions of the speakers.
Rose seeks to test these hypotheses by i) extending the inquiry to other African tone languages with more complex tone systems; ii) designing musical stimuli that better approximate African musical systems; and iii) comparing non-musicians and musicians, particularly those who are trained in “speech surrogacy,” or the ability to convey language through music, such as with talking drums.
phonological typology; documentation; description and analysis of African languages