Bulgaria
Anna Yanenko
Dr. Anna Yanenko is a Ukrainian historian and museum researcher with experience in academic research and heritage practice. She works in Kyiv at the National Preserve “Kyiv-Pechersk Lavra,” where she heads the Research Department of the History of the Kyiv-Pechersk Lavra and collaborates closely with the Department of Collections Management on the institution’s collections. She is a board member of the Ukrainian Association of Archaeologists and ICOM Ukraine, a non-residential fellow at CEFRES (Prague), and a former fellow at TheMuseumsLab 2026 (DAAD).
Dr. Yanenko was a Research Fellow of the National Memorial to the Heavenly Hundred Heroes and Revolution of Dignity Museum (Maidan Museum). In addition, she co-founded and co-organizes the Research Seminar on the History of the Humanities in Ukraine (an initiative of ICOM Ukraine and the Institute of Archaeology, National Academy of Sciences of Ukraine) and coordinates conferences on the history of humanities, archaeology, and museums in Ukraine. She also edits the scholarly journal “Chronicle of Archaeology and Art”. She has curated and coordinated several public history and exhibition projects, including one on the archaeological heritage stolen by Russia and another on Ukraine’s war-torn sacral architecture.
Askold’s Grave was one of Kyiv’s most significant necropolises – a symbolic space of Ukrainian national memory and the burial site of the city’s intellectual, cultural, medical, and entrepreneurial elite of the late 19th and early 20th centuries. Its systematic destruction by Soviet authorities in the 1930s was an act of deliberate cultural annihilation, erasing collective memory and severing generational continuity. This project aims to prepare for publication an album-catalogue that visually reconstructs the lost necropolis based on 30–35 photographs and a series of artistic representations from the National Preserve “Kyiv-Pechersk Lavra” collection – images produced by Kyiv photographic studios and largely unpublished to date. The project combines visual source analysis with archival research, necropolistics, and biographical study to reconstruct both the physical appearance and the sociocultural significance of the lost site. The catalogue will include full scholarly descriptions, attribution, historical commentary, and biographical notes on the individuals buried there. A contextualising introductory article will situate the destruction of Askold’s Grave within the broader framework of Soviet colonial cultural policy and its continuities with Russia’s ongoing destruction of Ukrainian cultural heritage. The project contributes to visual history, memory studies, and heritage studies.
Visual history; Memory; Heritage; Ukraine; Soviet Union